Tom Conlon: So you gonna ask
about her, or you just gonna sit there all sober?
Paddy Conlon: I know.
Tom Conlon: Oh you know. What do you know? You know it wasn't enough to drive west to get away from you? When we hit the water we drove north, too.
Paddy Conlon: When I get sober I hired a man to find you.
Tom Conlon: Is that one of the 12 steps? Or does a guy like you get 24?
Paddy Conlon: I know.
Tom Conlon: Oh you know. What do you know? You know it wasn't enough to drive west to get away from you? When we hit the water we drove north, too.
Paddy Conlon: When I get sober I hired a man to find you.
Tom Conlon: Is that one of the 12 steps? Or does a guy like you get 24?
Director: Gavin O'Connor (2011) |
In
many ways, sports films remind me of RomComs. Ever since I watched the first 3
Rocky films, it’s dawned on me that for the most part, this genre is filled
with almost identical films using the same, almost identical stories. There’s
always big stakes, a training montage and a final fight against a superior
adversary that ends in victory for our protagonist. While Warrior is guilty of
using clichés as much as the next film, it offers something fresh with the
inclusion of 2 protagonists. While this makes for a more intriguing film capped
with an enjoyable, unpredictable climax.
These
2 protagonists are Tommy (Tom Hardy) and Brendan (Joel Edgerton) Conlon, both
MMA fighters from childhood who share a broken family. Tommy went into the army
to escape the suffering caused by the loss of his mother, while Brendan settled
down with his sweetheart and had a family. The cause of their families troubles
stem from their father Paddy (Nick Nolte) an alcoholic who’s almost 1000 days
sober when Tommy comes back to Pittsburgh to visit him.
While
it’s more than apparent that Paddy is a bad person, his past is never properly
divulged, and we only here of the suffering he caused rather than actually see
it. As a result he is painted in a sympathetic light, a regular at church who
goes home to a lonely and empty house. It’s deserved, but his attempts to
change; most notably his almost 3 year sobriety doesn’t impress his sons at
all. His chance at reconciliation is thanks to Sparta, a MMA tournament that
offers 5 million dollars to the victor. Both Tommy and Brendan need the cash,
the latter’s job as a school teacher doesn’t sufficiently pay the bills and the
formers motives are an intriguing mystery for the majority of the film.
This
is where Warrior is at its most predictable. Both fighters aren’t as good as
they used to be, and we get the typical montage to show their growth into
deadly fighters. Up until this point around the half way mark, Warrior has been
a relatively mellow film, focusing on the characters and their respective predicaments.
This is arguably where O’Connor is at his strongest, and the reasons that these
2 brothers choose to fight again is a strong driving force that successfully
raises the stakes as soon as the tournament starts. When it does, things shift
into high gear, with almost the entire second half of the film being dedicated
to the fighting. There are dramatic threads interweaved here, and one involving
Nolte is quite possibly the finest scene in the film, but the action definitely
takes centre stage.
For
the most part, the battles are thrilling, the 2 brothers having differing
fighting styles which adds ample variety, something that's essential
considering the amount of brawling we bear witness to punches, throws, kicks
elbows and grapples all come into play, and no 2 fights ever feel similar.
While the blows that land in the arena carry weight and power, they're letdown
somewhat by another case of shaky camera syndrome. Extreme close ups and
objects between the camera and the arena is another frequent annoyance, all of
which mar some strong choreography.
Other
issues are dotted throughout Warrior, all of which are utterly pointless and
could have easily been avoided. Brendan’s students are cliché, overenthusiastic
and grating, complaints that can also be levelled at his wife and boss. The
ringside commentators talk crap throughout every fight as well, and while their
inclusion is necessary, their terrible dialogue is not. But these frustrations
are relieved by an ending so overpowering that grown men may well cry. It’s not
perfect, but Warrior is one of the better sports films of recent years.
7
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