Peter Aitken: Somewhere in the
valley, there is a woman living in a basement. She's actually amassing
followers. These people believe that she will actually lead them to salvation,
or whatever. And yes, she's dangerous - but we have to see this thing through.
All the way.
Director: Ben Batmanglij (2012) |
There’s something so intoxicating about
cult films. Not cult in the sense of having a niche, dedicated audience, but a
film about semi religious groups and their almost always twisted ideologies.
While said subgenre practically always features the usual devoted followers and
the charming, smooth talking ringleader, Sound of My Voice puts a subtle twist
on these conventions, creating a successful combination of drama and science
fiction.
After clearing the initiation, our 2 protagonists
Peter (Christopher Denham) and Lorna (Nicole Vicius) follow instructions to
become acquainted with a mysterious cult in the San Fernando Valley. Their hope
is to expose the cult to the public; an action that Peter thinks will save the
followers from a grisly fate. The leader of this unnamed group is Maggie (Brit
Marling), an incredibly charismatic woman who tells everyone an incredible
story. She makes the seemingly absurd statement of claiming she’s from the
future-2054 to be precise- coming back to prepare others for the dangers that
will soon face America. As Peter and Lorna become more engrossed with the
group, the start to wonder if Maggie’s story is an elaborate lie, or if she
genuinely has travelled back in time.
It should be stated that Sound of My Voice
isn’t a film that spoon feeds its audience answers. Writer/star Brit Marling and
writer/director Ben Batmanglij leave almost every scene or event up to
interpretation, happy to leave the mental heavy lifting to their audience. This
ambiguity is primarily focused upon Maggie, Batmanglij gives strong evidence to
support the fact she is a time traveller, but simultaneously offers enough
information to lead us to believe she’s nothing but a snake oil salesman. This
open ended nature extends to other aspects of the plot, such as the purpose of
the cult, the reason Maggie demands blood samples from new members and her
obsession with a young girl named Abigail. Some may instantly label this as the
result of a slack screenplay, but Batmanglij does enough to maintain tension
and intrigue through to the closing shot.
What helps the film out magnificently is
Marling’s performance as Maggie. She gives a performance that bubbles with
hidden intensity, a caring character that is sharp to counter any who question
her. Could she really be from 2054? She sings the group a song from the future,
identified by a member who states it actually originated from the 1990’s. The
second the doubt creeps in Maggie is sharp to react, claiming she wouldn’t know
about the 90’s considering she was born in 2030. This is the brilliance of
Marling’s work, she compliments the script perfectly, and her actions never
outright reveal her true intentions. In lesser hands the films effectiveness
would have been severely diminished, but this up and coming starlet succeeds
almost effortlessly.
Where Sound of My Voice falters is in its 2
leads, both unlikable and convincing. Too little time is invested in these
characters, underdeveloped and relatively uninteresting, especially when
compared to the tour de force that is Brit Marling. Plot development becomes too
snappy during the final third; a longer run time would have done wonders to the
overall product. In a year that’s given us a lot of films based on cults and
organised religion (The Master, Martha Marcy May Marlene), The sound of My
Voice stands shoulder to shoulder with them, as open ended as it is fantastic.
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