Finn McMissile: My apologies, I
haven't properly introduced myself. Finn McMissile, British intelligence.
Mater: Tow Mater, average intelligence.
Mater: Tow Mater, average intelligence.
Director: Jon Lasseter (2011) |
After the unfulfilling ending of the original Cars, Cars 2
returns to radiator springs, a thriving community once again. Racecar Lightning
McQueen (Owen Wilson) is off winning races and his best friend mater (Larry the
cable guy) spends his days towing broken down cars and planning his return.
Events soon transpire, and McQueen enters the grand prix, a set of races
through Japan, Paris and England. While this seems like a decent story, things
quickly take a remarkable U turn and Mater becomes embroiled in a secret agent plotline
with Finn Mcmissle (Michael Caine) and Holly Shiftwell (Emily Mortimer). The
grand prix and lightening McQueen are tossed to the background as maters ‘hilarious’
antics take centre stage.
The focus on this shallow spy parody is what hurts Cars 2
the most. Its grating and unfunny thanks to the childish script. Whereas the
rest of Pixar’s films appeal to all ages, Cars 2 is aimed solely at children,
and boy does it show. From cars wetting themselves to characters speaking is
silly voices. The worst culprit is the John Turturro voiced race car Francesco
Bernoulli; equipped with a stereotypical Italian accent and not a single funny
piece of dialogue. Worse can be said about Mater though. He has far too much
screen time and is horrendously written, the choice to make him the main
character is the most misjudged in Pixar’s history. It’s obvious from this
alone that the animation giant has totally forgotten about their older
audience.
While I'm not the biggest fan of the original cars, its
story about a town that is getting forgotten in a rapidly advancing world was
interesting and poignant, a factor that cars 2 eschews for outright speed. The races
are furiously fast and are smartly paced to add adrenaline to the film at the
right moments. The same can be said for the action scenes, which are in
abundance. Explosions and fight scenes are littered throughout, and are
actually quite enjoyable. This is the only time the spy subgenre is effectively
utilized; various weapons and gadgets add considerable flair to set pieces.
Once cars 2 limply rolls over the finishing line, its safe
to say the pangs of disappointment will be felt by every member of the audience
who thought they were watching a Pixar film. In the place of brilliance we have
been given a poor script and story, lacking the dimensions that we've come to
expect from such a brilliant studio. Even the trademark credits that finish
their films are dull and uninspired. Here’s to hoping brave will be a return to form.
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